Showing posts with label War Horse. Show all posts
Showing posts with label War Horse. Show all posts

Tuesday, 15 January 2013

Late great #1: Eric Knight, the man who gave us Lassie

DO you believe in synchronicity? I do.

I keep a folder of ideas for blog posts. One idea has been in there for months. One I've been meaning to get around to. A post about Eric Knight, the creator of Lassie, probably the most famous literary dog ever.

Eric Knight's classic story
I'd been thinking about starting a new strand of posts for Bookengine called Late Greats. And I decided to kick off with a piece about this Yorkshireman who went to America, became a writer in Hollywood and wrote a classic book, Lassie Come-Home.

Knight would never know how influential his book would become or the movies and television series it would inspire.

As we know, it is now the archetypal loyal animal story, which paved the way for other famous tales such as The Snow Goose and War Horse. A classic, tear-jerking Hollywood movie starring Roddy McDowell and Elizabeth Taylor was made from Knight's novel, and while the author visited the set, he would never see the final film.

That's because Knight, a Major in the United States Army - Special Services, was killed in an air crash just as the Hollywood screen version of his novel was reaching movie theatres.

For some reason I decided to pull this particular idea out of the folder last night, with just these facts in my mind.

As I began my research I noted that Knight died in 1943. Ah, 70 years ago. That's a handy anniversary to hang the post on, I thought.
Eric Knight on set with the movie 'Lassie' in 1942

When in 1943? January... Somehow, I knew instantly what was to follow.

I looked at the date on my watch... January 14. And the day Knight died?

January 15.

A shiver went down my spine. So, whether you believe fate is at work, nevertheless I offer up my tribute to this brilliant and - in my view - underrated writer, on the 70th anniversary of his death.

Eric Oswald Mowbray Knight was born in Menston, Yorkshire, (a village notable also as the place where the Kaiser Chiefs met), on April 10, 1897.

Knight was young when his father died and his mother left England to become governess to Princess Xenia's children in Russia. By 1912, she had remarried and had moved to the United States. Eric followed her out there to finish his education. He eventually graduated from Cambridge Latin School, in Massachusetts.

The young Yorkshireman saw military service in the First World War before becoming a professional writer. He worked as a journalist, reviewing plays and movies for newspapers in Philadelphia.

Hollywood beckoned and he worked as a screenwriter for a couple of years, scripting movies at 20th Century Fox, while also finding time to publish five novels and short stories.

But by 1939, Knight and second wife, Jere, were living on a farm in Pennsylvania. The expatriated author found his mind wandering back to the land of his birth and in particular to the proud county of Yorkshire.

He sat down and began to write a quintessential English rural story about a collie, Lassie, partly inspired by his own dog, Toots, and filled with the bluff Yorkshire humour he knew from his childhood.

The story was initially published in the Saturday Evening Post, before being published in 1940 as a book.

Although, Eric Knight published other books - notably the humorous The Flying Yorkshireman which garnered comparisons with James Thurber and Thorne Smith - it was Lassie that brought him lasting fame. It's sold millions of copies and has been published in 24 countries.

The famous Hollywood movie
Like many people who grew up in the 1970s, I watched the schmaltzy American TV series Lassie, which really bears little resemblance to Knight's book. The 1943 movie version, starring Roddy McDowell, is nearer to the spirit of the story and watching it as a child is one of my abiding memories of childhood.

It's only recently I got round to reading the book. The thing that impressed me most was Knight's straight ahead, unpretentious writing. He never lost the Yorkshireman's call-a-spade-a-spade directness and I think this is what gives Lassie its timelessness.

In essence, it's a simple but powerful story of love between a boy and his dog, told simply.

So, that is my tribute to Eric Knight. Please track down a copy of Lassie Come-Home and discover this late great author.

I'd also like to direct you to a wonderful website dedicated to Eric Knight at http://www.lassiecomehome.info, run by his granddaughter, Betsy Cowan.

Another interesting website is: http://www.chelsea-collies.com/knight.html packed full of information.

* I dedicate this blog post to the memory of my aunt, Jill Craddock (1936-2012), of Castlerock, Northern Ireland, who died over Christmas. Jill was a teacher who dedicated her life to young people and was a great encourager of my own reading and writing. This she continued with my own children, with the many books and audiobooks she sent them at Christmas over the years.

Sunday, 2 September 2012

Once Upon A Wartime

On the way into Imperial War Museum North

It's a bit after the fact now, but I'd like to say what a fabulous exhibition Once Upon A Wartime was at the Imperial War Museum North at Salford Quays.

A fabulous exhibition
 It's been on since February and finished on September 2, so I'm a bit late to the party. I took my family on the penultimate day and we were all completely swept up by it all.

It was an exhibition about war as explored by children's literature, using five different books to examine a different face of the subject.

Different rooms looked at a book at a time, with recreations of scenes, complemented by personal effects of the associated writers.

I'd read four of the five books - Michael Morpurgo's War Horse, Nina Bawden's Carrie's War, Robert Westall's The Machine Gunners and Ian Serraillier's The Silver Sword, but was not familiar with the final book, Bernard Ashley's Little Soldier.


Not a great picture - the original
handwritten opening of Michael Morpurgo's
War Horse and first page of the typescript
 The show covered the First World War (War Horse), Second World War (Carrie's War, The Machine Gunners and The Silver Sword)  and a fictional African war of the 1990s (Little Soldier). The themes represented were 'loyalty', 'separation', 'excitement', 'survival' and 'identity'.

Fabulous to be able to see first-hand the original manuscript pages of the opening to War Horse, notes scrawled by Serraillier on the backs of envelopes, Ashley's chapter notes and a paperweight belonging to Bawden.

There was the original painting of a horse called Topthorn that inspired Morpurgo to create the character of the same name which is Joey's closest friend in War Horse.


School exercise book in which Westall wrote The Machine Gunners
 Of particular interest to me was the school exercise book in which Westall wrote The Machine Gunners for his son, Christopher. Westall wrote on the inside cover '£1 reward for anyone returning this book to Westall, 20, Winnington Lane, Northwich'. Also fascinating to see his typewriter and his first Carnegie Medal, for The Machine Gunners.

Coincidentally, the day before our visit I'd spent the day in Northwich with work and took a picture of 20 Winnington Lane, the house where Westall wrote The Machine Gunners. (Surely worthy of a plaque, eh?)


Robert Westall's typewriter with picture on top of him and
a cat at home in Lymm, Cheshire
 What was particularly great about the exhibition was that children could really get involved. For The Machine Gunners, they'd recreated an Anderson shelter and decked it out as Chas and his pals did in the book. My daughter and son loved crawling through a tunnel to get to the shelter.

Once Upon A Wartime was on at the Imperial War Museum in London in 2011 prior to its relocation to Salford. Not sure that it's going on anywhere else now, which is a pity.

If you are passing, it's definitely worth popping into the Imperial War Museum North - they have an excellent shop stocked with all the children's books from the exhibition.
Robert Westall's first Carnegie Medal, for The Machine Gunners, 1975


The original painting of Topthorn, which usually hangs in Michael Morpurgo's kitchen

Nina Bawden's teddy bear
20 Winnington Lane, Northwich, the house where Robert Westall wrote The Machine Gunners

Tuesday, 24 July 2012

Michael Morpurgo in Buxton... with Joanna Lumley


Michael Morpurgo, centre in red shirt and sun hat, Joanna Lumley, right in floral outfit
I had the pleasure of seeing Michael Morpurgo at the Buxton Opera House on Monday morning.

He appeared as part of the Buxton Literature Festival and was joined on stage by Joanna Lumley, who asked Michael about his life and work while promoting a new biography of the author, War Child to War Horse, which features seven new stories - or 'babies' as he put it - specially written for it.

It was a charming event - Michael truly is a great storyteller, not just on the page, but in person too. The theatre - a beautiful piece of architecture by Frank Matcham - was absolutely jammed with Morpurgo fans. And every one sat in rapt silence, hanging on his every word.

The highlights:

Michael and his wife were able to set up their inspirational Farms for City Children charity thanks to a large fortune left by Claire Morpurgo's father, Allen Lane... the founder of Penguin Books.

Michael these days writes in longhand, on his bed, his knees drawn up in front of him - inspired by his hero Robert Louis Stevenson. Michael suffers from repetitive strain injury (RSI).

Michael set up the post of the Children's Laureate with the help of his friend and Devon neighbour, Ted Hughes - 'an imposing man', who could open doors to make things happen for the FfCC charity thanks to his reputation as a poetry great of the 20th century.

Steven Spielberg did a fine job with his film version of War Horse, in Michael's opinion - although the Devon farming scenes were a tad Hollywood and not earthy enough.

Michael is good friends with Joanna Lumley, a patron of Farms for City Children, who happens to be married to Stephen Barlow... artistic director of the Buxton Festival until 2014.

Both Michael and Joanna met fans as they bought books outside the opera house in the glorious sunshine. Michael was unable to sign books due to his RSI, but pre-signed book plates were handed out to those who purchased tomes. Sadly, I didn't have time to join the long queue, as I had to get to work. But I did take a few photos (badly) before I left.